Our Favorite Albums of 2014

Soo...looking at the calendar and seeing it's almost the end of 2014, time to get this out there.

Every year we do this, it's interesting because we get an eclectic mix of people from across the diaspora of the industry who all come with different perspectives, musical interests and so, what's more interesting isn't so much seeing where we diverge, but where our interests actually match up. Because if you can get more than two people in this group to agree on an album, trust me, it must be the goods.

Word of advice. If you are ever putting together a list of musical albums that involves Excel and a nerd who is an amateur sabermetrician in charge of compiling rankings because you'll get a lot more than you bargained for. Because there were so many ties within certain rankings, I was able to create an album "batting average" which each album is ranked against the total number of points possible to score (650 this year or 50 x 13 participants) to give us a better glimpse than the pure ranking points could. If that's not enough, ties were broken based on the number of ballots an album was featured on, as there were some albums that showed up quite a bit for a bunch of us.

Six years after starting this little experiment, we're still at it and glad to have you join us.

Many of the members of the band have listed their own individual albums with reviews that you can read from this year. Others (like me) will follow later.

Check out reviews from Eric, Laura, Joel, Andy and Georgy.

With that, here's the top albums of 2014 list based on the entire team's rankings.

The Top 20 albums are pretty clear cut. (Top 10 in orange)

Ryan Adams - Ryan Adams	356
The War on Drugs - Lost In The Dream	278
Beck - Morning Phase	230
Sturgill Simpson - Metamodern Sounds in Country Music	213
Spoon - They Want My Soul	205
St. Paul & The Broken Bones - Half The City	182
Sharon Van Etten - Are We There	181
Jenny Lewis - The Voyager	180
Run The Jewels - Run The Jewels 2	176
St. Vincent - St. Vincent	158
Jack White - Lazaretto	155
Real Estate - Atlas	152
The Both - The Both	137
The Rural Alberta Advantage - Mended with Gold	131
Ben Howard - I Forgot Where We Were	127
The New Pornographers - Brill Bruisers	124
Counting Crows - Somewhere Under Wonderland	119
Benjamin Booker - Benjamin Booker	115
Parquet Courts - Sunbathing Animal	114
Bahamas - Bahamas Is Alfie	105

Once you get out of the Top 20, things get dicier. So many people, so much diversity means lots of ties. Again, a late calculation adjusted our rankings a bit, so Top 50 took many forms before it looked like it does below.

Phantogram - Voices	103
Dawn Golden - Still Life	99
Blondfire - Young Heart	95
Haerts - Haerts	92
Shovels & Rope - Swimmin' Time	92
Swans - To Be Kind	88
First Aid Kit - Stay Gold	88
Wild Cub - Youth	86
Grouper - Ruins	85
Wye Oak - Shriek	85
Mac Demarco - Salad Days	84
Damien Jurado - Brothers and Sisters of the Eternal Son	84
The Colourist - The Colourist	84
Afghan Whigs - Do To The Beast	83
Bleachers - Strange Desire	82
Andy Stott - Faith in Strangers	81
Strands of Oak - Heal	81
Conor Oberst - Upside Down Mountain	81
Tokyo Police Club - Forcefield	81
Angel Olson - Burn Your Fire for No Witness	80
Future Islands - Singles	80
RAC - Strangers	78
Ben Frost - A U R O R A	74
U2 - Songs of Innocence	74
Bad Suns - Language & Perspective	72
Alvvays - Alvvays	69
Justin Townes Earle - Single Mothers	67
Sharon Jones & The Dap Kings - Give The People What They Want	64
Bombay Bicycle Club - So Long, See You Tomorrow	64
FKA twigs - LP1	64

No album with 3 or more voters choosing it anywhere on their list managed to escape the Top 50, so it was a pretty reliable indicator of a Top 50 spot on our list.

Here is more data I managed to mine out:

Albums with the most ballots

Ryan Adams had eight ballots.
Spoon came in second with seven ballots.
Beck came in second with six ballots.
The War on Drugs, Sturgill Simpson, Run The Jewels, St. Paul & The Broken Bones, Jenny Lewis, Real Estate and Parquet Courts came in second with five ballots.
Sharon Van Etten, St. Vincent, The Both and The New Pornographers latest releases logged four ballots.

There were 15 other albums that had at least 3 ballots. 

Top albums list by H/L adjusted score

For those albums that appeared on a lot of lists, which ones were outliers that got one or two high (or low) rankings compared to their peers? Which was truly the best album of the year according to our rankers? When you subtract the highest and lowest score an album received, the Top 10 albums stays composed of the same albums, there are just some position changes. This remains basically consistent in the Top 20 except for a notable change.

Real Estate - Atlas (LP) For a brief moment, it appeared this album which appeared on five lists, would end up in the Top 10. But it was not to be. Instead, it came in 12th but using an adjusted metric, it actually ranked 10th. 

Parquet Courts - Sunbathing Animal (LP) vaults from 17th to 13th when you rank by adjusted score. In fact, it's the lowest rated album on the list of any album with 4 or more critics ranking it on their lists. But whether it was Top 10 or Top 50, bottom line is, people liked it and liked it enough to rank it. 

Biggest outlier album

Young Heart (LP) by Blondfire finished at 23rd on the strength of just two ballots. Joel and Tim both ranked it into their Top 5. Clearly they heard something the rest of the gang didn't, since no one else ranked the album at all. Maybe the group as a whole needs more electro-pop in their lives?

In that same class was Still Life (LP) by Dawn Golden which both Eric and Stephen rated highly, raising it to the 22nd spot on the rankings, when it initially looked like it wouldn't be rated at all. 

Most underrated album

How do you determine underrated in an exercise like this? Take the lowest ranked album with the most ballots and highest score. The winner in this category? Bad Suns - Language & Perspective (LP) which appeared on three ballots, but was ranked 45th, but had an adjusted ranking of 30th meaning you ought to give it a list.

Most overrated album
This category is a bit of a misnomer. But for the purposes of this exercise, we're talking about an album that appeared on a number of ballots (which means it can't be that bad, right?) but has a lot of scoring variance. The album in this category? Bahamas - Bahamas Is Alfie (LP) which cracked the Top 20 at #20 overall on the big board this year, but had a median score of just 21.5 which is lower than any album in Top 45 or so albums. If nothing else, it means the people who liked it, liked it a lot, but there wasn't a consensus about whether it was truly one of the elite albums of the year, given how many people left it off their list.

Critic with most Top 50 selections
In these parts, we've taken to appreciating our musical diversity. We wear it like a badge of honor. Still, it's fun when a few of us overlap. This year I've noticed more of that than normal, especially when you look at the top list and notice how many people had Top 50 albums on their lists.

After crunching the numbers, Dylan had 24 of the top 50 on his list.

See you next year! Interested in playing along next year? Say hello on twitter @ronbronson.

Joel's 2014 Faves

My listening preferences this year were strange. Maybe not strange in the context of my lifelong listening habits, but definitely more focused in a few genres when it came to music released this past year.

Never in my life did I expect the year of my 30th birthday to include an emo revival, 80s girl-pop influenced hooks, or my friends from college releasing their first critically acclaimed records of their own original songs. In adding my picks to our critical compendium, 18 of the 30 albums I chose were new to the group.

That isn't to say that the other albums on the list weren't good. Mostly I'm saying I have no idea how good they are because there's just too much music being released over the course of a year to stay on top of every new album. Eric makes really good points and gives really good tips in his post on how to find new music.

For me, having access to every song ever (sort of) is the worst thing that could've happened for my ability to complete my responsibilities to this blog. There's too much. And I like my old music too much. I'd have to spend all day every day listening to just the new stuff in order to keep up with my colleagues here.

But I love music. I always have. And I think part of being a responsible music appreciator is giving yourself enough space to enjoy new music alongside your old favorites. That is why my list is more focused. I'm positive that is also why I was able to pull this list out at all. I also believe that one big part of this year's list is the amount of live music I was able to see here in Austin and the energetic effect it had on my listening and playing.

You should listen to this while you read on...

My favorites this year sit pretty squarely in four camps:

1. alt.country/Americana
2. Indie/Emo
3. Electro-Pop
4. Singer-songwriter pop

One of my own big surprises this year was the quality of Ryan Adams' self-titled record. I've been a Ryan Adams fan for a long time but he's definitely had a few misses during his career. I wasn't a big fan of Ashes and Fire — I mean, it was fine, just not up to Adams' normal quality — or of Easy Tiger, the last record he did under his own name alone. I was blown away, however, by how on-point this record was. And it was only knocked out of first place by a grouping of songs so well-crafted it created ambience and interest the entire length: The War on Drugs' Lost in the Dream.

But I found other really great alt.country and Americana records this year. Jamestown Revival's Utah seems under appreciated, and though its stance is very much in the realm of the Avett Brothers, the best thing Jamestown Revival has going for it is that, unlike the Avetts, Jonathan Clay's vocals sound like they belong with the type of music they are carrying. Desert Noises was a band I had never heard but their road-trippy Americana tunes have the same pushing tones as Paul Simon's Graceland and that created instant love from me.

We also got treated to a good bit of Americana with sugary-sweet pop melodies with the two Oh Honey EPs. My favorite of the two is With Love. The vocals might be pure saccharine but they weren't annoying in the ways the Jenny Lewis record that came out this year was (yeah, I loathe that record).

The second big surprise I got this year was from discovering the depths of the emo revival. A few old school bands released new records. The two that ranked high on the list for me were Taking Back Sunday's Happiness Is offering and Braid's new record No Coast. Some newbies I discovered included Gates (oh my gosh is that record good), Prawn, My Heart to Joy, and Dads.

Stemming from there, the new Damien Jurado record is great. Really great. All The Luck In the World's self-title record was also very good, combining great emo-style guitar parts with more solid melodies and vocals.

Then there's the smattering of more current pop and electro-pop albums from this year including Blondfire's incredibly catchy Young Heart. I was surprised by the familiarity of the Haerts record and knew I would love The Colourist's debut full-length based on seeing them live and their EP released last year.

This year I had friends release albums as well. Speak's Pedals album is great and I still maintain that Troupe has some of the best male vocals in the industry. RAC released his first collection of original material helped by talent from the many bands and groups he has remixed over the years.

There there were the great offerings from Young the Giant and Tokyo Police Club. And while some found Beck's record boring, I thought Morning Phase was moody and engaging, perfect for working and general contemplation.

And that's what I've got to say about my favorites from this year. Oh, and if you like any of these, please consider buying the album... either at your local record store or from iTunes or Amazon. Streaming music is great for our convenience but doesn't do much to help the artists keep making their livings from entertaining us.

Andy's favorite albums of 2014

I began 2014 with High Hopes, the 18th studio album by Bruce Springsteen (with or without the E Street Band). That album dropped way back in January and was one of my first listens of the new year. As an album, High Hopes was a disappointment (as has much of Springsteen’s work since The Rising). But it was also a harbinger for what was to come in the music world of 2014.

I listened to a lot of music this year, as I do most years. I enjoyed much of what I heard. But 2014 was not a transformative year for music. There were no brilliant, breakthrough albums, and I’ll probably forget much of what I heard in a year or so. Before I do, here are my favorites for 2014:

Beck - Morning Phase

After spending the past five or six years on numerous side projects, including sheet music, Beck returned with an album that took many by surprise. Touted as a follow up to Sea Change, Morning Phase is melodic, laid back, acoustic and mellow. It was a perfect summer album for 2014.

The Orwells - Disgraceland

These guys are getting some recognition nowadays, thanks to the new Apple ad for the iPad Air 2, which features a track from Disgraceland. In contrast to my No. 1 pick of the year, which met my need for mellow, contemplative and stripped-down sound, Disgraceland fueled my need for amped up garageness.

St. Vincent - St. Vincent

I love the quirkiness and unexpected turns on every track of this album. St. Vincent the musician (Annie Clark) previously worked with former Talking Heads front man David Byrne, and that influence is apparent in St. Vincent the album. A fun jumble of unpredictable tunes.

Old 97s - Most Messed Up

“We’ve been doing this longer than you’ve been alive,” drones Old 97s lead singer Rhett Miller on the opening track of this enjoyable record. Most Messed Up is a celebration of the Texas band’s 20-plus years in the business, and like most of their previous releases, it’s a raucous, southern-fried party of music about boozing, carousing and life on the road. By far the year’s best songs of the south.

The Black Keys - Turn Blue

With all the production work Dan Auerbach is doing with other musicians these days, its a wonder he and Patrick Carney have time to do anything as the Black Keys. While Turn Blue turned off some of the band’s diehard fans of their traditional blues-based garage-grunge, I like the pop-infused sound of this album. It was a refreshing sound from a band that should be constantly evolving.

The Both - The Both

The Both is my choice for Most Unlikely Duet of the Year Award. Who would have thought that Aimee Mann and Ted Leo would make such great music together? (Then again, last year’s folkie-grass collaboration by Steve Martin and Edie Brickell kind of set the stage for unusual pairings.) Hat tip to fellow higher ed music critic Mason Dyer for tipping me off to this album.

Conor Oberst - Upside Down Mountain

I’m not supposed to like Conor Oberst. But dammit, I can’t help myself. Quavering voice aside, this man can flat write cutting lyrics. On Upside Down Mountain, Oberst gets personal in a hurry and never lets up. The result is a thought-provoking, soul-searching work that is worth several listens.

The War On Drugs - Lost in the Dream

This album has been talked about on countless forums, and for good reason. With Lost in the Dream, the War On Drugs has hit their stride. A flowing album of dreamlike tunes.

The Pixies - Indie Cindy

Frank Black and company are now without former bassist and singer Kim Deal, who contributed much to that distinctive Pixies sound and provided a coolant counterbalance to Black’s white-hot shrieks and riffs. But even without Deal, Indie Cindy is a good album.

Sturgill Simpson - Metamodern Sounds of Country Music

Sturgill Simpson is a throwback to the “hard” country styles of Merle Haggard, but with a honky-tonk rock-and-roll twist. Hands down, this was the best country album I listened to in 2014.

The rest

11-20

Jack White - Lazaretto

La Sera - Hour of the Dawn

Robert Plant - Lullaby And … The Ceaseless Roar

Drive-By Truckers - English Oceans

Keb’ Mo’ - BluesAmericana

U2 - Songs of Innocence

Benjamin Booker - Benjamin Booker

Ryan Adams - Ryan Adams

Strand of Oaks - HEAL

The New Basement Tapes - Lost on the River

21-30

St. Paul & the Broken Bones - Half the City

Justin Townes Earle - Single Mothers

John Mellencamp - Plain Spoken

Spoon - They Want My Soul

Puss N Boots - No Fools, No Fun

Hurray for the Riff Raff - Small Town Heroes

The Fauntleroys - Below the Pink Pony (EP)

Tom Petty & the Heartbreakers - Hypnotic Eye

Chrissie Hynde - Stockholm

Bruce Springsteen - High Hopes

31-40

Foster the People - Supermodel

Vance Joy - Dream Your Life Away

Sharon Jones & The Dap Kings - Give the People What They Want

John Doe - Best of John Doe, This Far

Shovels & Rope - Swimmin’ Time

Real Estate - Atlas

Cloud Nothings - Here and Nowhere Else

Dum Dum Girls - Too True

Ingrid Michaelson - Lights Out

Tycho - Awake

41-50

Lana Del Rey - Ultraviolence

Parquet Courts - Sunbathing Animal

Delta Spirit - Into the Wide

White Lung - Deep Fantasy

The Raveonettes - Pe`ahi

La Roux - Trouble In Paradise

Lucinda Williams - Down Where the Spirit Meets the Bone

Kongos - Lunatic

The Hold Steady - Teeth Dreams

First Aid Kit - Stay Gold

Playlist on Spotify

Laura's Top Music of 2014

I know I’m not the first, and nor will I be the last, to say that 2014 gave us a lot of really great music. This is the first time I’ve ever put together a Top Albums list in addition to my Top Songs, and I have to say, I’m surprised by how different the two lists are. There were some great songs that just didn’t have a complimentary album to back them up and some solid albums that flowed together just right without having that stand-out single. But that’s OK. In fact, that’s part of what makes music great.

Without further ado, here are my top albums of 2014, listed in order.

1.) Wild Cub - Youth

I love how much I love Wild Cub’s debut effort. I’ve been listening to this album almost exclusively for the past two months. There’s something about their at-times jaunty score juxtaposed with the more melancholy lyrics that really does it for me.

2.) First Aid Kit - Stay Gold

I’ve always been a fan of indie folk music and these Swedish sisters really do it for me. “Shattered and Hollow” is possibly my favorite song of the year, period, but the album’s entire tone is soothing like a favorite sweater. And best of all, this album led me to explore the duo’s earlier work, which has been fun in and of itself.

3.) Jenny Lewis - The Voyager

I’ve been a fan of Jenny Lewis since her Rilo Kiley days. Then again, I was a moody teenage girl during the early 2000s so that was pretty much a prerequisite. But what I most appreciate about “The Voyager” is that it echos what I loved about “The Ripchord” and “Portions for Foxes” as a teen: it’s relatable. Cliche or not, Lewis writes and sings songs that I and many of my fellow twentysomething, childless women can close our eyes and imagine is about us.

4.) Echo and The Bunnymen - Meteorites

This album just hits that perfect balance of rough-edge vocals and unexpected guitar that I’d actually hoped for from some other albums this year. Those (which shall remain nameless) disappointed but thankfully the Bunneymen filled the void.

5.) Tigers Jaw-Charmer

Another bit of late-90s/early-00s inspired indie emo, this album was nostalgic without being overdone. I’m a sucker for a lead singer with an unusual voice and Ben Walsh certainly fits the bill for me and Brianna Coles’ backup vocals only sweeten the deal.

6.) Tokyo Police Club - Forcefield

I appreciate a good saga and I really appreciate even more when a group goes big or goes home and opens an album with one. “Argentina (Parts I, II, III)” is quite possible the best long-form song I’ve heard since The Decemberists’ “Crane Wife.” This epic alone would be enough to put them on the best of the year list, but complemented by a host of songs unafraid to try something different with each track locks in their place.

7.) Bombay Bicycle Club - So Long, See You Tomorrow

Despite this being Bombay Bicycle Club’s fourth full album, this was my introduction to the band. And I’m so glad it was. Much of my music listening takes place on the daily commute and this album has just the right mix of energizing beats to keep me awake through the slog and mellow enough vocals to keep me from losing my temper when people annoy me.

8.) Alvvays - Alvvays

Another debut album, this one already has me eager to see what the band does next. Molly Rankin’s voice reminds me of CHVRCHES’ Lauren Mayberry in the best possible way.

9.) Quilt - Held in Splendor

This band makes me feel like I’m living inside a Wes Anderson movie every time I listen to them and I love them for it. If David Bowie and the Beatles were to have afternoon tea with Tilda Swinton, I imagine this album would be playing in the background. That’s not much of a description but that’s the best I can do for the awesomeness that is Quilt.

10.) Parquet Courts - Sunbathing Animal

Much like Echo and the Bunnymen above, Parquet Courts filled the post-grunge void in my life that I didn’t expect them to but I’m so glad they did. There’s also something about the languid, almost to the point of drawling vocals, that makes me think of the classic country of the 60s and 70s I grew up listening to with my dad.

And here's what rounds out my Top 20 Albums:
11.) The Colourist - The Colourist
12.) Young Rising Sons - Young Rising Sons
13.) Bleachers - Strange Desire
14.) Interpol - El Pintor
15.) Spoon - They Want My Soul
16.) PHOX - PHOX
17.) Cold War Kids - Hold My Home
18.) Jack White - Lazaretto
19.) alt-J - Hunger Of The Pine
20.) We Are the Willows - Picture (Portrait)

Top songs of 2014

I'm in another music exchange and we have a few different rules than this bunch of renegades, namely that our list of top songs has to fit onto a CD. It makes things a bit more challenging but I like it. And because I'm a nerd, I always put my list in the order I think the songs flow best, not necessarily by favorite. You can also find the list on Spotify.
I Won't Let You Down - OK Go
Eye of the Pearl - Quilt
Dear Ramona - Parquet Courts
Would You Fight For My Love - Jack White
Left Hand Free - alt-J
Head Underwater - Jenny Lewis
Feel the Effect - Tokyo Police Club
Thunder Clatter - Wild Cub
My Desire - Interpol
Holy Moses - Echo and the Bunnymen
Archie, Marry Me - Alvvays
Knock Knock Knock - Spoon
Red & Gold - Young Rising Sons
All This Could Be Yours - Cold War Kids
Gooey - Glass Animals
Shattered & Hollow - First Aid Kit
In Due Time - PHOX
Wild Heart - Bleachers
It's Alright Now - Bombay Bicycle Club
Distress Signal - Tigers Jaw
We Won't Go Home - The Colourist

Georgy's top 25 of 2014

Every year, I worry (irrationally, I know) that I won't discover any new music that changes me, that makes me sit up and pay attention, that infects my brain (in the best of ways) and refuses to leave. Every year I am wrong, but always in new and delightful ways. As it should be. Without further ado, my brain-infecting, posture-inducing, life-changing top albums and songs of 2014.

Top 25 Albums of 2014 (in ranked order)

1. Sharon van Etten - Are We There
   
   
   There’s a raw energy bound up in the melodic richness of these songs. This album is unstable enough to unnerve you, but seductive enough to soothe you. And that’s the precarious yet precious place it occupies in my heart.
   
2. Chromeo - White Women

Sometimes, you just need to groove. Chromeo brings the groove hard and good on this one, toting a confident funkiness buoyed by serious musical chops. On “White Women,” Chromeo evokes the best funk, R&B, and pop vibes laid down by their musical predecessors, lending the album a truly classic vibe.

3. Ryan Adams - Ryan Adams

Ryan Adams is so good -- so perfectly pissy, poetically wounded, and musically talented -- that there are few ways he could get better. But it turns out that one of those ways is to hire Mike Viola as your producer. That, it turns out, is a really great way to get better.

4. Quiet Hounds - The Wild Hunt

This may seem like an unassuming indie album at first listen. But there’s a quiet, earnest pleading that commands your attention and concern, and something timeless and true permeating their harmonies. Quiet Hounds purports to create not just songs, but experiences, and the somewhat ethereal quality they hold bears this out.

5. Bear’s Den - Islands

Believe it or not, this album does not rank highly based on the band’s name alone (though a well-placed bear reference never hurts). You may detect hints of Mumford in this UK band’s earnest folk, but their melodies are more accessible, their themes a bit more nuanced, and they are a less yell-y and more charming.

6. RAC - Strangers

After a career spent remixing others’ hits (to great effect, I might add), RAC pulls in acts such as Tokyo Police Club and Tegan and Sara to round out their own full-length debut. The result is warm, bubbly, electronic indie rock.

7. Bleachers - Strange Desire

Sure, “I Wanna Get Better” became a huge hit and maybe you’re sick of it. But don’t let that deter you from listening to this 80s-tastic, at times epic and other times synthy, accomplishment. It features my favorite song of the year (which, incidentally, is not the hit single.)

8. Mike Doughty - Stellar Motel

It’s pretty hard at this point for Mike Doughty to do wrong. After going cold turkey on hip hop with the solo acoustic “Skittish” post-Soul Coughing, Doughty’s ongoing evolution as a songwriter has led him to this full band effort, successfully infused with hip hop and funk elements and the traditional smart, catchy songcraft we know and love.

9. Stars - No One is Lost

Every few years, a wonderful phenomenon takes place at the Canadian border. A new Stars album arrives, and a thirst I never knew I had for smart, pop-infused, electrifyingly sexy rock music is at last sated.

10. Jenny Lewis - The Voyager

I have resigned myself to the fact that Jenny Lewis will never recapture the magic that is “Rabbit Fur Coat.” But that doesn’t mean she can’t churn out a damn fine album, soulful and smart. Glad she’s back in form after a long layoff.

11. Alt-J - This Is All Yours
12. The War on Drugs - Lost in the Dream
13. HAERTS - HAERTS
14. Bad Suns - Language and Perspective
15. Wild Cub - Youth
16. SKATERS - Manhattan
17. J Mascis - Tied to a Star
18. New Pornographers - Brill Bruisers
19. Bob Mould - Beauty and Ruin
20. Sturgill Simpson - Metamodern Sounds in Country Music
21. The Both - The Both
22. Magic Man - Before the Waves
23. Real Estate - Atlas
24. Elbow - The Take Off and Landing of Everything
25. The Wind and the Wave - From the Wreckage

Albums that may have ranked higher if I had discovered them sooner:

Fear of Men - Loom

Rural Alberta Advantage - Mended With Gold

Top 25 songs of 2014 (in ranked order)

Spotify playlist

1. It’s a Longer Road to California Than I Thought - The Wind and the Water
2. Wild Heart - Bleachers
3. The Promise - Sturgill Simpson
4. Old 45s - Chromeo
5. I Love You But I’m Lost - Sharon Van Etten
6. Gimme Something Good - Ryan Adams
7. Underwater Listening - Quiet Hounds
8. Digital Witness - St. Vincent
9. My Silver Lining - First Aid Kit
10. Do It Again - Royksopp and Robin
11. Red Eyes - The War on Drugs
12. Agape - Bear’s Den
13. Tourist - RAC / Tokyo Police Club
14. Trap Door - Stars
15. Talking Backwards - Real Estate
16. Always - Panama
17. Just One of the Guys - Jenny Lewis
18. SKATERS - Miss Teen Massachusetts
19. Love Me Like I’m Not Made of Stone - Lykke Li
20. When the Night is Young - Mike Doughty
21. New York Morning - Elbow
22. Word Crimes - Weird Al Yankovic
23. Los Angeles Be Kind - Owl John
24. Riptide - Vance Joy
25. 27 - Passenger